So what is "The Garden of Words" in the end, beyond a visual and aural treat? I would tell you that it is not a very good story. I didn't think too much of it other than "Hey, this reminds me of 5cm/s!" Notably, there is one vocal piece that plays during the climax and credits. It's deliberately simple- anything thrilling would only serve to undermine the experience. The score comprises mostly of piano pieces and ambient noise which serve to further immerse the viewer. It is just as much an experience to feel as it is to gawk at. It succeeds in creating the appropriate atmosphere for the film, ensuring that there is more here to experience than the visuals. Here instead the rain symbolizes happiness and peace. In storytelling, rain is often used to represent loneliness. Rain is the primary theme of "The Garden of Words", both in narrative and aesthetics. It is something that other animated films will (and should) aspire to, and nothing more could be asked from it visually. "The Garden of Words" may be the best-looking anime to date. There are times when the artwork looks and feels so authentic that it could very well be mistaken for live-action at a glance. Not a single error (at least noticeably) exists within the animation or artwork, thanks to Shinkai's meticulous attention to detail. Lens flare and careful panning are also frequently used to accentuate the scenery. The most prominent of which is a depth of field effect, often used but never to the point of being distracting. Numerous animation techniques are employed in the film. Perhaps too much so, as you might find yourself so stunned by the scenery that any dialogue will sound like little more than background noise. It is a visual spectacle in every regard, meant to have us immersed in the world. If you have watched any of his previous works (notably 5 Centimeters Per Second), you will be very much familiar with the gorgeous scenery and eyecandy that accompany them. I would like to believe that, anyway.įrom a visual perspective, Shinkai's latest is nothing short of a masterpiece. For once, just once- could he bother to convey the romance differently? It would be a sad thing if a director with so much talent was reduced to being a one-trick-pony. And, yet again, it relies on Shinkai's exhausted theme of unrequited love. Any maturity in the characters is thrown aside in favor of screaming and crying.
What builds as a subtle, heartwarming story regrettably ends as conventional melodrama. Or at least that is what the majority of the film accomplishes. The modesty of the dialogue captures the monotony of their lives- the change that they experience together. It gives us the time to think and the time for the atmosphere to establish itself. When it must tell, it relies on introspective monologues and poetic conversation. When Takao's dreams of being a shoemaker are revealed, it is through watching him sketch feet outside and craft shoes in his room. It is simple, restrained often limited to ordinary conversations between the characters. What makes the dialogue so intriguing is not what it does, but what it doesn't do. Where "The Garden of Words" makes up for its romance, perhaps, is in its dialogue. He could have simply increased the length and have made the story exponentially better as a result. Then again, one could always ask: with only 46 minutes of film, isn't it too much to expect developed characters and relationships? Maybe. While the romance is at least passable, one can't shake off the feeling that more could have been done with the two. And why? The relationship seems platonic until a sudden confession at the very end. Rarely are their feelings for each other actually explored. Sadly, this film doesn't realize its inherent potential. How many films deal with such an age gap, especially with an older female? Very few. It's a premise that holds potential for a compelling story. Concurrently, Yukino feels lost in an adult society where she feels she does not belong.
Lost and alienated by his uncertain future and passion for shoemaking. "The Garden of Words" is a short film depicting the romance and relationship between a 15-year-old boy and 27-year-old woman. But if you are awaiting another great story, this is not what you are looking for.
After hitting the anime industry in 2007 with his opus magnum "5 Centimeters Per Second", he quickly established himself as a director with the ability to combine masterful artistic talent with emotional, bittersweet storytelling.ĭoes his latest animation achieve that same ideal? In some ways, it does. Makoto Shinkai is a name that has become increasingly prevalent over the years.
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